Patricia Urquiola x Flos
Flos Almendra Organic Short LED pendant lamp
FLOS
from € 4.091,00 EUR
- Unit price
- per
2 colors, 2 types
Organic modules growing through the interior
The Almendra Organic Short LED pendant lamp approaches suspension as a composition rather than a single central object. Its branching structure and softly shaped elements establish a flowing presence overhead, giving the flos almendra pendant an identity that feels both natural and precisely engineered. It opens a direct dialogue with the wider Flos | Pendant collection, where suspension can define dining areas, open spaces and architectural volumes through very different scales and visual rhythms.
Texture changes when light begins to graze it
With the Flauta Riga Indoor LED wall lamp, the wall becomes part of the experience. Its ridged surface gains depth as illumination interacts with the fixture and surrounding architecture, demonstrating how flos wall lamps can create interest without relying on oversized forms. This tactile approach gives flos wall lighting another dimension: during the day the object contributes pattern and materiality; after dark, light amplifies those qualities and redraws the surface around it.
A protective shell transformed into illumination
The Tatou T1 table lamp develops texture in a completely different way. Its perforated outer shell filters and contains the light, giving the object a sense of enclosure while producing a softer luminous effect. Among flos table lamps, Tatou demonstrates Patricia Urquiola's ability to turn a functional diffuser into the defining feature of the design. Pattern is not applied afterwards as decoration; it determines how the lamp looks, how it glows and how its presence changes once illuminated.
Lighting designed to be experienced up close
Across Patricia Urquiola x Flos, surfaces invite attention rather than disappearing behind the light they produce. Organic structures, grooves and perforations give each object a physical identity, while illumination reveals details that might otherwise remain unnoticed. From suspended compositions to floor lamps and smaller tabletop pieces, her work suggests that atmosphere can begin with material itself. Light touches the object, the object reshapes the light, and the surrounding interior becomes part of that exchange.
